The Sorcerer's Apprentice

 

The Sorcerer’s Apprentice is a magical festive musical treat for the whole family!

 

Against the backdrop of the Northern Lights, a small town has been pushed to the brink of collapse in a bid for progress and prosperity. To rescue Midgard from certain destruction, the sorcerer and his apprentice must work out how to make magic together, and fast! This gripping family-friendly story sees brooms coming to life and love blossoming anew, as apprentice Eva discovers the explosive possibilities of her newfound magical powers, leaving havoc, catastrophe and joy in her wake.

 

This enchanting new British musical explores the extraordinary world of a powerful sorcerer and his budding apprentice. This updated story is inspired by the classic Goethe poem that became an icon of Disney animation in Fantasia, which also featured Dukas’ classic symphony.

A gender-swapped twist on the timeless story, The Sorcerer’s Apprentice is brought to life by a cast of ten and was first seen in an earlier digital version that won worldwide acclaim upon its release in 2021. This brand new version features direction by the acclaimed Kirk Jameson (Madagascar The Musical, Song from Far Away) and stunning new music by the award-winning Alexander S. Bermange (I Wish My Life Were Like A Musical).

 

 

 

 

On Sale Now for Christmas 2026!

27 Nov 2026 - 2 Jan 2027
HOME, Manchester

Reviews of the 2021 production of the show

"Utterly enchanting in every way"
Theatre Weekly
"Properly charming contemporary fairytale… full of romance and magic."
The Stage
"Enchants and entertains"
Love London Love Culture
"Impressively sparky musical for the Greta generation."
Daily Telegraph
"This magical musical will captivate the entire family."
Broadway World
"Exudes warmth, originality and ingenuity. "
Sardines Magazine
"Perfect for kids and big kids alike. This is pure magic!"
All That Dazzles
"Celebrate as a strong hit musical is conjured."
What's On Stage
"Magical musical saves town with song."
Southwark News

CAST



Jacob Beresford
Ensemble

Jacob trained at Guildford School of Acting. Since graduating, he’s played Galileo in We Will Rock You and Marty McFly in Back To The Future, both for Royal Caribbean Cruise Lines. He’s delighted to be joining the ensemble of The Sorcerer’s Apprentice and, having grown up just outside of Manchester, is thrilled to be back in the North!

Imogen Craig
Eva

Imogen trained at Arts Educational School, from where she graduated in 2025. Stage credits include The Witch in Into The Woods; Sister Act (Arts Ed) and Alice in Starter for Ten (Bristol Old Vic and Birmingham Rep). Workshops include Young Bertrande in Martin Guerre (Old Vic) directed by Matthew Warchus.

Adriana Da Cunha
Ensemble

Adriana trained at Mountview Academy of Theatre Arts. Stage credits include Magic at the Musicals (Royal Albert Hall); Elaine Page’s 60th Anniversary Concert (London Palladium) and Dirty Rotten Scoundrels In Concert (London Palladium). Mick’s Picks in Steel Pier; Sue Snell in Carrie; Bird Seller in Sweeney Todd; Becca in Everybody’s Talking About Jamie; Doctor/Mum in People, Places & Things; Sally Smith in Me & My Girl (Mountview) Other Credits include Clara in Nautopia Workshop (2026). Adriana is thrilled to join The Sorcerer’s Apprentice and would like to thank the creatives for this amazing opportunity, and Apollo Artist Management for their constant support.

Sophie-Louise Dann
Lamia

Sophie-Louise trained at Arts Educational Schools London and is a double Olivier Award nominee. Her West End credits include Madame Morrible in Wicked (Apollo Victoria); Fergie in The Windsors: Endgame (Prince of Wales); Celia in The Girls (Best Actress in a musical Olivier nomination; Phoenix) Paula Paxton in Bend it Like Beckham (Phoenix); Barbara Castle MP in Made in Dagenham (Adelphi); Diana Divane in Lend Me a Tenor! (Olivier Award nomination for Best Supporting Role in a musical; Gielgud), 42nd Street (Dominion), Jolson (Victoria Palace) and numerous leading roles for D'Oyly Carte Opera (Savoy). Her favourite theatre credits include Cleo Gazay in Extraordinary Women (Jermyn St), Mrs Higgins in My Fair Lady (Mill at Sonning); Dorothy in Stepping Out (Devonshire Park Eastbourne), Mme. Thénadier, Les Misérables (UK & Ireland tour) Mrs. Lovett, Sweeney Todd (Mercury); Widow Corney, Oliver! (Grange Park Opera), Forbidden Broadway! (Menier Chocolate Factory, Jermyn St & West End), Velma von Tussle, Hairspray (Leicester Curve); Dot, Sunday in the Park with George (Chatelet du Paris); Mrs Beaver in The Lion, the Witch and the Wardrobe (Kensington Gardens) and seasons at Chichester Festival Theatre and Regents Park Open Air. TV, Radio and Film credits include ‘Trapped- Ever After’ (CBBC); ‘Doctors’ (BBC); ‘Mr. Bean’ (ITV); ‘The Phantom of the Opera’ (Warner Bros) and ‘Sunday in the Park with George’ (Mezzo TV).

Kai Davies
Erik

Kai trained at Emil Dale and Mountview Academy of Theatre Arts, from where he graduated in 2025. His stage credits include Mr. Beauregarde in Charlie and the Chocolate Factory; Headmaster Knochenbruch/Dance Captain in Spring Awakening; Bruce Bechdel in Fun Home (Mountview). His professional and West End debut was understudying and playing Jake and Chris in Clarkston (Trafalgar) directed by Jack Serio opposite Joe Locke and Ruaridh Mollica. Concert credits include Billy Neal in ‘Bettie Page’, ‘Queen of the Pin-Ups - The Musical’ (Lyric); ‘Magic at the Musicals’ (Royal Albert Hall).

Sharlise Fitzgerald
Ensemble

Sharlise trained at Arts Educational Schools and is thrilled to be making her professional theatre debut in The Sorcerer’s Apprentice. Her theatre credits from Arts Ed are Amandine Poulin in Amelie and 9to5. Other credits include You Are Here (Southbank Centre/BBC) and the workshop of My Fair Lady (Pitlochry Festival Theatre).

Mateo Oxley
Fabian

Mateo’s theatre credits include The 39 Steps (Salisbury Playhouse/Mercury/Octagon Theatre), Much Ado About Nothing, Angels In America, Three Days In The Country (National Theatre), The Importance of Being Earnest (Mercury Theatre) The Librarian (Arena Theatre), The Busy World Is Hushed (Finborough Theatre), Shock Treatment, Target Man (Kings Head Theatre), Burn It Down: I Want To Live (Theatre Royal Stratford East) Scenes From 68 Years (Arcola), Alice: A New Musical (The Other Palace), The Drowned Man: A Hollywood Fable (Punchdrunk/National Theatre). His TV/Film includes ‘Casualty’ (BBC), ‘The Windsors’ (Channel 4), ‘Doctors’ (BBC), ‘Magpie’ (PCP), ‘Spy Wars’ (History), ‘Lovebirds’ (TAT).

Mark Rice-Oxley
Johan

Mark has appeared in more than twenty different TV programmes and featured in the original casts of around twenty new theatre shows including Frantic Assembly’s Pool (no water); Bright Phoenix & The Kindness of Strangers (Liverpool Everyman); Cosmic & Liver Birds Flying Home (Royal Court). In the West End, Mark played Mickey in Blood Brothers (Phoenix). Other musical appearances include Sweeny Todd and Miracle on 34th Street. He has narrated about 200 audiobooks. Mark wrote all the poems for the Say A Poem project which is used in thousands of schools and has been shortlisted for a prize at the 2026 Teach Awards.

Josh Rosewood
Ensemble

Josh trained at Mountview, which he graduated from in 2024. His theatre credits include: Ensemble & Understudy Caractacus Potts in Chitty Chitty Bang Bang (Watermill), Ensemble in Beauty and The Beast (Chipping Norton), Baz in The Ridiculous Rhyme Show (German Tour) and Jack in Jack in the Beanstalk (Chipping Norton).

Emma Salvo
Greta

Emma’s theatre credits include Janice in the original London cast of Come From Away at Phoenix (West End), Sarah in The Toxic Avenger (Arts); From Page to Stage (Southwark Playhouse); Holy Crap (King’s Head); Grease (Royal Caribbean); Newsrevue (Canal Cafe) and Sleeping Beauty (Mercury). Her workshop credits are ‘Police Cops: The Musical’, ‘Maid Marian and Her Merry Men’, ‘King Ralph The Musical’.

CREATIVES



Richard Hough
Book and lyrics

Richard is a playwright and librettist who started his career as a comedian and comedy writer. Stage credits include FIREBIRD, a story of fighter pilots and forbidden love on a Soviet airbase at the height of the Cold War (King’s Head), a gender-swapped reimagining of Thomas Mann’s Death In Venice; a lustful tale of female vampires and vengeance, Blood Orange; and a murder-mystery inspired by Gaston Leroux’s The Yellow Room. Richard has written book and lyrics for several musicals including: Our Man in Havana (Watermill), Billy The Kid (NYMT at Curve), Sin (Barn Cirencester) and A Christmas Carol (Castle Wellingborough). As a comedy writer, Richard contributed jokes and sketches to a number of BBC TV and radio shows (his credits include ‘Revolver’, ‘The Now Show’, ‘Loose Ends’, ‘What’s the Story?’ and ‘The News Quiz’). With producer Ben Walker, he developed a sitcom (‘Mad About The Boy’) and a darkly comic sketch-show (‘The Chiller Cabinet’) for Radio 4. For Ealing Studios, he wrote about the indomitability of the human spirit in ‘Dumber & Dumber’ (Channel 5). He is the author of ‘You Can Save The Planet’, a young person’s guide to ecology, written for Guardian Books and published by A & C Black.



Alexander S. Bermange
Composer

Alexander’s stage credits include the musical revue I Wish My Life Were Like A Musical (which has enjoyed many international productions and garnered two West End Wilma Awards, an EFFTA Award, nine further award nominations, and over 60 five-star reviews), music and songs for theatre productions such as Spitting Image (West End, Birmingham Rep), Plague Over England (West End), and the much-toured Murder On Air, musicals (including The Route To Happiness, Thirteen Days and the multi-award-winning Shadowless) that have been produced in London, around the UK and across the world, spawning numerous cast recordings. His credits also include one of the Old Vic’s 24 Hour Musicals, with Cynthia Erivo; and many comic songs for BBC Radio 4 and the BBC World Service. Alexander’s songs have been recorded and released by dozens of international musical theatre artists, and he topped iTunes’s comedy album chart with Wit & Whimsy, an album celebrating his comedic work which features 23 popular personalities and West End stars. Recent months have seen performances of Alexander’s For The Record (London), The Sound Of Indifference (New York, Nicosia, London), My So-Called Haunting (Chichester, Leeds) and I Wish My Life Were Like A Musical (Edinburgh Fringe, Cunard Queen Anne and Soho Playhouse New York City). For further information, please visit www.bermange.co.uk.



Kirk Jameson
Director

Kirk most recently directed a major revival of Peter Quilter’s Glorious! starring Wendi Peters (Hope Mill, UK tour). Last year, Kirk directed the European premiere of Andrew Lippa’s I Am Harvey Milk (Cadogan Hall), starring Sierra Boggess and Joel Harper-Jackson. The same year he also helmed a revival of Jonathan Tolins’ comedy Buyer and Cellar, starring Rob Madge (King’s Head, Plymouth Theatre Royal) and a major revival of Simon Stephens’ play Song From Far Away starring Will Young (HOME). The production subsequently transferred to the Hampstead Theatre in London and was broadcast on BBC Radio Four. In 2022 Kirk directed the European premiere of Matthew Lombardo’s Who’s Holiday? (HOME, Southwark) starring Drag Race alumni Miz Cracker. The year prior he also directed a reimagined production of I Love You, You’re Perfect, Now Change, which was filmed at the London Coliseum and is now available to stream on Broadway HD. In 2019, Kirk presented the UK’s first stage adaptation of Dreamworks’ Madagascar starring X Factor winner Matt Terry. Since then the production has toured Australasia, North America and the UK. Other stage credits include the 10th anniversary concert production of Howard Goodall’s Love Story (Cadogan Hall), the new family musical Magical Merlin (Fortune), The Distance You Have Come (Apollo), Peter Pan (Barn), Stephen Sondheim’s Marry Me A Little (Barn) and Just So (Barn); the German Premiere of Jason Robert Brown’s The Last Five Years, Seussical: The Musical (Arts), Annie Get Your Gun (Union), Privates on Parade (Union) and Dames at Sea (Union).



James Seabright
Producer

James has been an independent commercial theatre producer for over 25 years, and wrote the book So You Want To Be A Theatre Producer, published in 2010 by Nick Hern Books. He runs Seabright Live, an Olivier award-winning production company, which is also the most prolific independent producer of theatre at the largest arts festival in the world, the Edinburgh Fringe, where their co-production of In Your Face Theatre’s Trainspotting Live is the longest-running play in the festival’s history. West End lead producer credits include Our Boys, The Boys In The Band, Showstopper! The Improvised Musical, This Is Going To Hurt and The Way Old Friends Do. James chairs the League of Independent Producers, and during his eight years chairing the King’s Head Theatre charity, he spearheaded its successful move from pub backroom to a bespoke new venue. Current shows include world tours of Buffy Revamped, FLOP!, In Pour Taste, Potted Potter and Yippee Ki Yay, and UK tours of Biff to the Future, Black Is The Color Of My Voice, and CADEL: Lungs On Legs.



Contact

Marketing: kate@seabright.org
Press: kevinwilsonpr@gmail.com
Producer contact: office@seabright.org
Seabright Live London office: 020 7439 1173